Out Stealing Horses by Per PettersonMy rating: 4 of 5 stars
I don't really know how to write fiction reviews. For the last few years I've been a bit over fiction, only reading something if it comes with a strong recommendation by a friend. This book ended up in my hands because I was in an opshop and it looked like the kind of sweet, inoffensive thing that my mum would like. The cover had a horse and a cabin and a misty forest. 'Out Stealing Horses'. Cute. It was only 50c.
Not wanting to pass on any old trash to her I did a quality-assurance check, reading the first few pages. A few days later and I was almost finished. I'd forgotten how satisfying it is when someone speaks your language, uses it to tell a story that penetrates deep and messes you up. The unfolding of Out Stealing Horses is beautiful. Trond, the narrator, follows incidental thoughts with a sparseness and intensity that is not there to convince or portray faithfully, but rather as dot points for further introspection. It is not always clear why they are significant but the effect is one of bearing witness to formative moments in the creation of 'character'. We are all ultimately inaccessible to eachother- to tell the story of our selves would take a lifetime. Spending a brief moment suspended in someone else's reality is the best we can hope for. Reading this I did feel suspended; not coerced or directed, just observing, feeling.
In Trond's own words:
“People like it when you tell them things, in suitable portions, in a modest, intimate tone, and they think they know you, but they do not, they know about you, for what they are let in on are facts, not feelings, not what your opinion is about anything at all, not how what has happened to you and how all the decisions you have made have turned you into who you are. What they do is they fill in with their own feelings and opinions and assumptions, and they compose a new life which has precious little to do with yours, and that lets you off the hook. No-one can touch you unless you yourself want them to.”
The darkness was something that appealed to me, though at times I felt the death and suffering verged on melodrama. That was until I learned that Per Petterson's mother, father, brother, and cousin all died in an accident when he was in his thirties. Tragedy is all around us, and those of us who know it best have it ingrained in our story. Out Stealing Horses is deeply personal without being trite, and though the end does wane slightly, I consider it to be an exceptionally well-written book. The smallest of things are suffused with feeling and reflection, transforming the mundane into the profound, and the living forest breathes out of the pages into the air around you.
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